Color grading is the act of changing the appearance of an image to create a particular look or style. A good color grading makes your video more valuable and professional looking.

Using ready to use LUTs can be faster but in reality, they don’t always deliver on what they promise. GoPro video format is easy to use and with it, you can create stunning looks just in your video editing app.

Color Grading is a very deep topic. In this article, I’m going to focus on the basics you need to know to make better Cinematic FPV videos.

Enable ProTune

ProTune enable all the manual settings you need to shoot professional footage:

  • White balance
  • Flat color profile
  • ISO
  • Sharpness
  • Exposure

Check out this article Best GoPro Settings for Cinematic FPV to learn more.

In color grading, the advantage of ProTune is its ability to use a flat color profile. This helps it to keep shadows and highlight details. This wide range of tones gives it more freedom to balance color and contrast during post-production.

Color Correction

Getting perfect clips with GoPro is no easy task. Despite the manual settings, you don’t have any tools in the camera to check what you are doing. Don’t fret because the color correction helps with this. The goal of the Color Correction is to achieve a clean and natural color representation. It fixes exposure, white balance, and saturation of the image.

In this article, I’m using Premiere Pro but you can still apply the same concepts to any other software.

The color correction process needs three tools:

Exposure
The Waveform (YC) for measuring the intensity of light.

White Balance
The RGB Scope (Parade RGB) for measuring the red, green and blue intensity.

Saturation
The Vectorscope (YUV) for measuring the color information.

You can active the Lumetri Scopes window in Premiere Pro by clicking Window -> Lumetri Scopes from the top menu.

Now, you can color correct with three steps:

Step 1: Exposure.

The Waveform has a scale from 0 (black tones) to 100 (white tones). Your flat GoPro footage is something between the two. The first step is to set the black tones to reach 0 and the white 100.

Think about the waveform as a composition of different zones:

Step 2: White Balance.

The RBG scope is like the Waveform but it’s divided into three main colors: red, blue and green.

If you have some white point in your image you can use the automatic adjustment feature. Otherwise, you should adjust the temperature to reach the same level on all three waves.

Step 3. Saturation.

The final step is to adjust the saturation of the color using the Vectorscope. The extremes (white lines) are the greatest saturation possible.

Flat GoPro Colors > Color Correction

Color Grading

Color Grading is a creative process that adds atmosphere and emotion to your picture. Creating unique tones requires skill and technique. In this article, I’m going to give you some tips to get a more crisp and cinematic look.

Three Color Wheels

The Three Color Wheels are easy to use and you can create stunning looks with it. Every wheel refers to a specific tone: shadow, mid-tones, and highlight. For each tone, you can change the intensity and color.

Changing the color of a specific tone is what creates the look. You can try to combine the opposite colors in shadow and mid-tones to create a more interesting look.

Curves

Curves are extremely powerful when it comes to creating a unique look. With Curves, you can target a single range of colors and modify saturation, intensity, and color.
Here the main three Curves you need to consider:

  • Hue vs Sat to change the saturation of a specific color area
  • Hue vs Hue to alter specific color area
  • Hue vs Luma to modify the brightness of specific color area

You can use Curves to make your green foliage or trees looks more vivid. Or you can use it to remove some color tonality that you don’t like.

Color Correction > Color Grading

LUTs

When it comes to LUTs the best way is to use them instead of the Color Grading. LUTs first need a good Color Correction anyhow.

The best way to apply LUTs is to use them as an overlay layer and adjust the opacity to melt with the footage.

The clip used for this article is by Alberto Perez AKA BlackWolf FPV. Check out his amazing Instagram!

Stefano Rinaldo

Stefano Rinaldo

Hi, my name is Stefano Rinaldo and I live in a small town among the Dolomites. I started my journey in the drone industry about 8 years ago as a videomaker and aerial cinematographer in a company specialized in multirotor and RC stuff. Two years ago I dived in the incredible world of FPV. After months of trial and error, I figured out how hard it is. This is why I started FilmFPV to make FPV more easy and accessible for filmmakers, content creators, and drone pilots.

Leave a Reply